>>> Time is Inherently Cruel (ambient version) <<<
A machine learning video art piece that attempts to contain time by registering a stream of data from the organic world and giving it a life of its own in the digital one. Reflections of moments that are no longer there: canvases in constant flux.
The dataset used in this project was crafted through a 6 months-long performance: 1 photo of the sky every hour (daylight), every day, for 183 consecutive days; spanning 2 continents and 4 cities.
2021
– Exhibited at:
The Wrong Biennale (2022) as part of “My Deepest Hopes and Fears Were Generative” Pavilion curated by Ivona Tau
Miami New Media Festival (October, 2021, Miami – Doral Contemporary)
Miami New Media Festival (October, 2021, Caracas – AWA)
Third___, Digital Arts Computing Degree Show (May, 2021, London – Goldsmiths, University of London)
⚆ _ ⚆
⚆ _ ⚆
>>> I Remember <<<
Poem.
2020
– Exhibited at:
International Seminar Next: imaginar el postpresente – Sesión Movilidad y Pospresente (July, 2020, Caracas – UCAB Telefónica)
☼.☼
☼.☼
>>> Tundra <<<
GAN painting following the seasons of the Arctic Tundra.
2020
– Exhibited at:
Festival Latinoamericano de Música – XXI edición (October, 2021, Caracas)
༼ つ ◕_◕ ༽つ
༼ つ ◕_◕ ༽つ
>>> Holocene Dreams <<<
GAN painting.
2020
– Exhibited at:
1er Salón Virtual Incubadora Visual (October, 2020, Caracas – AWA)
~(˘▾˘~)
~(˘▾˘~)
>>> Latent Runway <<<
Video Art piece that combines AI imagery and haute couture data.
2020
– Exhibited at:
International Videoart Showcase: Los Hijos de Melusina –Sala (NEO)EROS (September, 2020, Caracas – AWA)
┬┴┬┴┤(･_├┬┴┬┴
┬┴┬┴┤(･_├┬┴┬┴
>>> Nostalgia <<<
Written and Directed by Thomas Noya
Director of Photography: Jon Gantes
2020
◔ ⌣ ◔
◔ ⌣ ◔
>>> I SEE ME <<<
Artistic visualisation of my raw genotype data.
2019
–Exhibited at:
Digital Arts Computing Year 1 Exhibit (May, 2019, Goldsmiths, University of London)